| Born 1978 in Westfield, NJ | |
| Lives and works in New York City | |
| Education | |
| 2003 | MFA, School of Visual Arts, New York, NY |
| 2001 | BFA, School of Visual Arts, New York, NY |
| Solo Exhibition | And I Don’t Mean it in a Good Way, Sixtyseven gallery, New York, NY |
| Group Exhibitions | |
| 2014 | Not Everyone Feels Like They Have to Win All the Time, Wayfarers Gallery, Brooklyn, NY |
| 2013 | Let’s Hope Nothing Bad Happens, Wayfarers Gallery, Brooklyn, NY |
| 2012 | I Choo –Choo-Choose You, Wayfarers Gallery, Brooklyn, NY |
| For, Wayfarers Gallery, Brooklyn, NY | |
| 2010 | Urban Shaman, Parlor Antics, Brooklyn, NY |
| Yesterday Today is Tomorrow, Space 1026, Philadelphia, PA | |
| 2009 | An Evening of Play, Gallery MC, New York, NY |
| Mary’s Choice, curated by Mary Heilmann, 303 Gallery, New York, NY | |
| 2005 | Sasquatch Society, Sixtyseven Gallery, New York, NY |
| Things of That Nature, Sixtyseven Gallery, New York, NY | |
| 2004 | Jerk Store, Issue Inc. Exhibition Space, New York, NY |
| The Neon Forest Is My Home, Sixtyseven Gallery, New York, NY | |
| 2003 | Let’s Just Say, curated by Ryan Kitsen, Some Space, New York, NY |
| New York Area MFA Exhibition, College Art Association, Hunter College Times Square Gallery, New York, NY | |
| 2002 | I Think We’re Alone Now, Visual Arts Gallery, New York, NY |
| Not Sculpture, Visual Arts Gallery, New York, NY | |
| 2000 | Segments, Visual Arts Gallery, New York, NY |
| 1999 | Craig Hein and Susannah Vapnek, School of Visual Arts Eastside Gallery, New York, NY |
| 1998 | Group Show II, ABC Gallery, New York, NY |
| 1997 | Group Show, ABC Gallery, New York, NY |
| Biblography | |
| 2008 | P. Maxwell, Web Article: “Emerging Artist Profile: Craig Hein“ Phillips DePury’s Art Expert. March 24th |
| 2005 | Ken Johnson, “Sightings Of An Elusive Mountain Creature,” The New York Times. August 26 |
| Nick Stillman, “Sasquatch Society at Sixtyseven” Time Out, New York. September 1-7 | |
| Alessandra Petlin, “Mood Indigo” New York Magazine, February 14 | |
| 2004 | William Powhida, “The Neon Forest is my Home at Sixtyseven” The Brooklyn Rail. February |
| Stephen Maine “Dateline Brooklyn” Artnet. April | |